Genres: Singer/Songwriter, Soft Rock, Pop. Nau* Slide Guitar – The Producer* Written-By – Blunt* 4:19 10 No Bravery Bass – Pte. Released 11 October 2004 on Atlantic (catalog no. Paxon* Guitar, Organ, Mellotron, Vocals – J. Blunt* Written-By – Ghost*, Blunt*, Skarbek* 3:38 9 Cry Bass – S. Blunt* Slide Guitar – "Gumby" Goodwin* Written-By – Jimmy Blunt*, Jimmy Hogarth 4:35 8 Billy Bass – W. Nau* Organ, Acoustic Guitar, Vocals – J. Chait* Guitar – "Leroy" Tarantino* Organ – Mr.
Blunt* Written-By, Backing Vocals – Blunt* 3:38 7 So Long, Jimmy Bass – S. Gorfain*, The Section* Written-By – Chambers*, Blunt* 4:07 6 Out Of My Mind Backing Vocals – Paxon*, Gumby*, Nau*, Kristov*, Rothrock* Bass – S. Nau* Organ, Guitar, Piano, Organ, Vocals – J. Gorfain*, The Section* Written-By – Blunt* 4:23 5 Tears And Rain Bass – S. Nau* Piano, Twelve-String Guitar, Electric Piano, Organ, Vocals – J. Nau* Written-By – Blunt*, Hogarth*, Skarbek* 3:46 4 Goodbye My Lover Drums – C. Paxon* Electric Guitar – Gumby* Electric Piano – S. Kristov* Classical Guitar, Electric Piano, Organ, Vocals – J. Gorfain*, The Section* Written-By – Ghost*, Blunt*, Skarbek* 3:36 3 Wisemen Acoustic Guitar, Keyboards – J. Recorded in Los Angeles and produced by Tim Roth rock (Beck, Elliot Smith, Badly Drawn Boy), the album sees Blunt draw on various life experiences for inspiration, including his spell in the army serving as part of a NATO peacekeeping unit in Kosovo. Nau* Written-By – Blunt*, Ross* 4:03 2 You're Beautiful Acoustic Guitar, Vocals – J. Product Description Back to Bedlam is the debut album from British singer songwriter James Blunt. Paxon* Guitar, Keyboards, Marimba, Vocals – J. Blunt recounts his harrowing experiences as part of the NATO peacekeeping force in Kosovo on the closer, "No Bravery," and it's a shock to hear all of the romantic lyricism that informed Bedlam up to this point reduced to "Old men kneel and accept their fate/Wives and daughters cut and raped/A generation drenched in hate," but it's damn effective - as is the majority of this fine debut.A Savarin music e uma loja física está no mercado a 30 anos e mesmo com as mudanças em relação às midias digitais, a Savarin continua firme e forte trazendo a boa musica ao público curitibano. It's a pace that would sink some records, but Bedlam's perfectly rendered, under 40-minute run time ensures that the listener doesn't suffer from a melancholy overdose. Opening track "High" sets a determined midtempo pace that rarely wanes - it's like an acoustic version of "Drive" by the Cars with a Coldplay chorus. Predictable but effective four-chord guitar motifs are the chosen vehicle for the ex-Royal Armed Forces soldier, and when they connect ("Wiseman," "Goodbye My Lover," "You Are Beautiful"), it's like a "Dear John" letter from a lover who you know will remain a close but ultimately guarded friend. While his parched and effeminate falsetto recalls Gasoline Alley-era Rod Stewart with a healthy dose of Antony and the Johnsons, it's the late Elliott Smith who casts the largest shadow on Back to Bedlam. Soulful British crooner James Blunt's wistful debut infuses the listener - in order - with rainy-day hope, the wistful comfort of unattainable love, and finally, world-weary resignation.
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